I actually like when the line between hero and villain is blurred.
On that note, it seems Mayans MC starts to gain on the idea I shared with you in terms of an interregional conflict. If you'll ever have spare time, I'm still up to write the catfight version of it.
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I've recently gotten around to watch the second season of Luke Cage, and I was in a bit of a shock to discover how Alfre Woodard, whose talent is perhaps is only rivaled by Viola Davis, has never won a Tony for her work (in fact, wasn't even nominated). I won't spoil it for anyone who's yet to see it, but she gives a powerhouse performance in a very demanding role. Chief among them is conveying how she became a monster whilst perpetually claiming to be a savior, but it's undeniable she persevered through some serious stuff that would drive many to suicide. It was almost tangible how she balanced the pre-traumatic teenager she once was with the cunning persona she is, bound to hide things that'd show her as weak. In fact, she's just one of the villains with enough lifelike nuance that you can relate to their point of view.
That brings me to another related thing, the fabricated nuance in the judgment of addiction. I'm sure you're aware recently Robin Wright claimed we should give a shot to Spacey at redemption as in other ways they couldn't change and reform. "Slight" problem is... the destructive addiction of my old man taught me addicts lie. They go into rehab promising the world, and many relapses soon. They're the not sober version of villains who think and feel to be the hero of their own story without whom the world would stand still. In other words, our choice is also influenced by how much of an enabler we are or can be, with a special focus on how much you care about your own community and the world in general.
Now, certainly, I don't have designs to expect people to write with that in mind, but I do find such a moral framework to be essential. First and foremost because we had two big funerals last week, one for a former POW, who held high values about what democracy should be and another for a self-appointed separatist president who was the opposite of him in every way, including his daydream about conquering Britain.
I can only share Rivals uncomfortableness of writing stories which depict bigots as heroes, for the simple reason that it portrays antievolutionary, nonbeneficial behavior as a to be followed example. In the past few years, thanks to advertising tied to consumerism, few things previously thought to be a faux pas publicly are now the supposed norm. Very loud, often trollish people appeared who claim this (being an a**hole) not to be a choice but a hard-wired feature. They use the same peer pressure cheerleaders use (no offense meant to actual benevolent cheerleaders) when they ostracize girls for "not falling in line". In turn, such peer pressure villains can have a redemption arc, provided the community doesn't endorse it (unlike those, who smash their iPhones or burn their Nikes).
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I actually like when the line between hero and villain is blurred.
To me, if two women get in to a catfight / sexfight. Or a catfight turn sexfight, out
of the blue. Ya know, not planed, or did not know one another much, or even at all.
I would want the villain or bad girl to win or to cum out on top - so to speak.
But these two, hate each other so much, that the hero or good girl wants to go at it again with
the bad girl.
Only this time, it's a closer or even a down to the wire winner a draw.
Now it's more of a mind game for yet another cat/sex fight.
Does the good girl stay a good girl. Or does she turn into a bad girl to cum out on top.
Making it a villain vs villain nock down drag out dirty nasty - but hot - cat/sex fight.
Just my thoughts.
I'm not sure i have preference. Its generally more story and maybe even looks based.
My personal preference is to have the "hero" win. However, as I've said before, the stories that I appeal to me are between two women who are evenly matched and where either one could conceivably defeat the other in a rematch. So, from time to time, I let the "villains" win, knowing that a return engagement is always possible, to even the score.
Of course, this only applies in stories that are written as "hero vs. villian." Most of my stories, I think, are not - the characters are in competition, but neither is necessarily heroic or villainous.
JB57
JB57
Being a bigot, or some other kind of villain, doesn't make someone a lesser fighter. While it should factor into the equation of a story, especially if there's a multi-part story arc, it shouldn't be the deciding factor. In the story in question, I was pleasantly surprised to see Katie win after being so dominant for most of the fight. She was the aggressor, she did the most damage, and honestly the way the story was written she needed to be the winner. It would be nice to see someone (not Riya) take her down a few pegs, maybe after a few more fights, but only if you want to continue with the character.
The heroine is defeated first time by the villainese, but the heroine win the revenge because the 'good' girl become more rough, dirty and nasty than the villainese.
In a mixed match, the hero win the first rounds but the villainese win the battle and rape the guy.
Hi there
Fewer classifications better in sexfight stories in my opinion
Hoy saint vs Pure evil, Americans vs Rusian, big and fat vs small and skinny
Best is put simple two magnificent and beautiful woman in conflict
i can sign this !!
Exactly what i think !!
A sexfight story must have an interesting plot (if possible), a building erotic tension between the two women who keep the prime roles and hot erotic scenes.
If it also has some shades of humor, some adventurous/thrilling moments, even better. But these are not necessary. We are not here to be nominated for a prize in literature ! LOL
Reading a sexfight story i do not focus if the women are good or villain.
I mostly focus on how hot they look to be
Just my two cents
Last edited by Giannis-CB; July 29th, 2019 at 10:22 AM.
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