Page 2 of 43 FirstFirst 123456789101112 ... LastLast
Results 11 to 20 of 423

Thread: "Crossover Design for New Project"

  1. #11
    Senior Hostboard Member Panomaniac's Avatar
    Join Date
    May 25th, 2006
    Posts
    1,811
    Follows
    0
    Following
    0
    Mentioned
    0 Post(s)
    Tagged
    0 Thread(s)
    Quoted
    0 Post(s)

    Re: "Crossover Design for New Project"

    Hey AB. I just got back from Ohio and the Midwest audiofest. I'm a bit toasted, but can be of more help tomorrow.

    I'm sure we can figure out something.

  2. #12
    Senior Hostboard Member SOOTSHE's Avatar
    Join Date
    February 27th, 2006
    Location
    Sunshine Coast, Australia
    Posts
    276
    Follows
    0
    Following
    0
    Mentioned
    0 Post(s)
    Tagged
    0 Thread(s)
    Quoted
    2 Post(s)

    Wink Re: "Crossover Design for New Project"

    Quote Originally Posted by bfish View Post
    You're welcome.

    I've not used one, but this has all the bells and whistles;

    BEHRINGER: DCX2496

    Pretty popular among DIYers, just verify it'll do stereo 3-way.
    Yes, it will certainly do stereo 3 way, but I've heard quite a few comments that the sound quality is not really up to scratch......the old digital/analog discussion.

    What do you expect for $300?

    A lot of users use these to find the correct parameters & then build their passives from those settings.

  3. #13
    Senior Hostboard Member Panomaniac's Avatar
    Join Date
    May 25th, 2006
    Posts
    1,811
    Follows
    0
    Following
    0
    Mentioned
    0 Post(s)
    Tagged
    0 Thread(s)
    Quoted
    0 Post(s)

    Re: "Crossover Design for New Project"

    Yeah, the DCX is super handy for trying a lot of different things. I've done that a lot, then built passive.

    I can certainly help here. I can send you my WT3 to do impedance sweeps, or you might want to pick one up. Getting good sweep measurements of each section would also be a big help. Do you have the hardware to do it?

    I don't think I'd go below 700Hz 2nd order on the 511/288. Not sure for the top end.
    And you'd probably want some underlap between the horn and bass section - 20~30%.
    So first draft would be 600 LP + 800HP 2nd order. That's a starting point. Put an L-pad on the horn for level adjust. I would run the 15s in parallel if your amp can drive a 4 ohm load.

    The 511 can be hot in the 500Hz-1K region, so that would need to be tamed via crossover or EQ.

    What's your bass cab?

  4. #14
    Senior Hostboard Member Steve Mac's Avatar
    Join Date
    January 5th, 2006
    Posts
    726
    Follows
    0
    Following
    0
    Mentioned
    0 Post(s)
    Tagged
    0 Thread(s)
    Quoted
    18 Post(s)

    Re: "Crossover Design for New Project"

    Quote Originally Posted by J Henry View Post
    Yes, it will certainly do stereo 3 way, but I've heard quite a few comments that the sound quality is not really up to scratch......the old digital/analog discussion.

    What do you expect for $300?

    A lot of users use these to find the correct parameters & then build their passives from those settings.
    Some folks don't feel comfortable unless they empty their wallets too.
    I run digital into the unit...one D/A on the output and make sure I get a big signal into the crossover to get the resolution out of it. Most passives are effect processors(i.e. they have a sound of their own)... So, I think passives offer their own negatives as well. I just remember when my Dad played with his stereo back in the 60s that the crossovers stopped or limited tweaking all the time...and were more of a black art back when to those guys.

    On top of all this are several tweaks that can be made to the dcx if you own one that will clean up the d/a and improve the clocking of the digital input. So rather than clean it up with passives....clean up the dcx and retain the high tweakibility factor. As they say though, YMMV....

  5. #15
    HB Super Moderator
    "Crossover Design for New Project"


    Altec Best's Avatar
    Join Date
    June 10th, 2008
    Location
    Central New Jersey
    Posts
    4,190
    Follows
    0
    Following
    0
    Mentioned
    0 Post(s)
    Tagged
    0 Thread(s)
    Quoted
    4 Post(s)

    Re: "Crossover Design for New Project"

    [quote=Panomaniac;1829564]
    Yeah, the DCX is super handy for trying a lot of different things. I've done that a lot, then built passive.
    Well I don't have one of those yet.
    I can certainly help here. I can send you my WT3 to do impedance sweeps, or you might want to pick one up. Getting good sweep measurements of each section would also be a big help. Do you have the hardware to do it?
    I'm working on it and Thanks for the offer Pano I'll call you !!!
    I don't think I'd go below 700Hz 2nd order on the 511/288. Not sure for the top end.
    I was thinking 800 to 1000hz to 8k to 10khz on the top and then bring in the super tweeter T350 for the UHF
    So first draft would be 600 LP + 800HP 2nd order. That's a starting point. Put an L-pad on the horn for level adjust. I would run the 15s in parallel if your amp can drive a 4 ohm load.
    All drivers are 8 ohm Unfortunately at the moment I'm stuck with 8 ohm loads and would like to have an L-pad to adjust the horn and then could be taken out later after dialed in.
    What's your bass cab?
    I'm still very early into this yet all drivers I needed I got now I was waiting for the EV T350's now they have arrived all I need is the XO's and cabinets.Which I have to build yet.I'm thinking a box with the rear corners tapered to push back into a corner with a over under 416 configuration.I haven't decided whether to separate them yet inside of box.It will look like one box from the outside but in reality it would be 2 stacked together.Zilch said they could interfere with each other in the midrange and he recommended to limit one of the woof's to 100hz and below.Basically to augment the other.I'm thinking I maybe able to get around that if they are separated.Any thoughts on this ? I would rather both woofer's running full range as I really feel the 288 needs it.But if i can't then I would have to follow his recommendation I guess,this is why I'm posting here for the guys with Altec experience as he said he was limited with Altec drivers he is familiar with JBL.

    [quote=Steve Mac;1829566]
    Some folks don't feel comfortable unless they empty their wallets too.
    Well I've already done that acquiring the drivers and horns

    Now I just have to shell out for the Crossovers and some Baltic Birch and fiberglass.

    I run digital into the unit...one D/A on the output and make sure I get a big signal into the crossover to get the resolution out of it. Most passives are effect processors(i.e. they have a sound of their own)... So, I think passives offer their own negatives as well. I just remember when my Dad played with his stereo back in the 60s that the crossovers stopped or limited tweaking all the time...and were more of a black art back when to those guys.
    Well I'm hoping I don't have to tweak till the cows come home. I would like to get it close as possible the first time so the adjustments will be minor.As pano suggested I think a L-pad is almost mandatory when using a large format driver in a home setting.This is why I feel dual 416's are required to keep up with the 511/288's I have a 288/1005 right now on top of a 416B in a 612 cabinet and I can tell you I have to shelve the 288 all the way for them to sound good and they do.Extremely loud,same amount of power next to my 19's they are twice as loud as the 19's that tells me they are much more efficient than the 19's.Midrange is Awesome !!

    On top of all this are several tweaks that can be made to the dcx if you own one that will clean up the d/a and improve the clocking of the digital input. So rather than clean it up with passives....clean up the dcx and retain the high tweakibility factor. As they say though, YMMV....[/
    QUOTE]

    This is quite interesting Steve and haven't thought about this option which does make a lot of sense.However I was hoping to just be able to build a set of passives without having to shell out more dough other than caps,resistors,coils,etc...

    As this is my first complete speaker build from scratch I could have chosen something maybe easier less complicated,but as my space is quickly disappearing from the large quanities of loudspeakers to the ceiling I thought I would try to build the Best one I could and be done with it and hang up my Saw.On second thought Nahh maybe Not

    Well if I can complete this with the results I'm looking for I can start to thin the heard so to speak. :2thumbsup: Thank You everyone for your input and suggestions/help I appreciate as this is going to need the expertise of you gentleman.:thankU: Best Regards ~ John

  6. #16
    Inactive Member bfish's Avatar
    Join Date
    December 1st, 2004
    Posts
    2,891
    Follows
    0
    Following
    0
    Mentioned
    0 Post(s)
    Tagged
    0 Thread(s)
    Quoted
    0 Post(s)

    Re: "Crossover Design for New Project"

    Lacking published FR and polar plots for 511E/288, assuming they're the same as a 511B/802 on the bottom end is... well... an assumption.

    Same for selecting an XO point before deciding on LF cab(s). You're seeking a near polar match for the LF/MF at XO. With the LF narrowing as F rises and MF widening as F lowers, there's gonna be a sweet spot where they ~match*.

    (Besides, we all wanna see some 511E/288 plots)...:coffeedrinker:

    Brainfurt; was there one in the old tech letters?

    *Same goes for the MF/HF XO.
    "[I]We're going all the way, till the wheels fall off and burn[/I]!"
    Bob Dylan, from [I]Brownsville Girl[/I]

    [I]"Time wounds all heels"[/I]
    John Lennon, referring to the Nixon/Hoover deportation fiasco.

  7. #17
    Senior Hostboard Member Panomaniac's Avatar
    Join Date
    May 25th, 2006
    Posts
    1,811
    Follows
    0
    Following
    0
    Mentioned
    0 Post(s)
    Tagged
    0 Thread(s)
    Quoted
    0 Post(s)

    Re: "Crossover Design for New Project"

    I thought you said you will be running 2x 416s per side. So together a 4 ohm load, right?
    Don't worry too much about the interference of the woofers if you keep them under 1K.
    Not to say that crossing one lower is a bad thing, it can give you a flatter response because you have 2 instead of one down low.

    Measure, measure, measure. You do need to measure.
    I guess I could lend you some gear, if you don't want to invest in your own.

  8. #18
    Senior Hostboard Member westend9's Avatar
    Join Date
    August 3rd, 2007
    Posts
    296
    Follows
    0
    Following
    0
    Mentioned
    0 Post(s)
    Tagged
    0 Thread(s)
    Quoted
    0 Post(s)

    Re: "Crossover Design for New Project"

    Following along on this build since I'm attempting a lesser project, using only one 416-8b.
    I've had really good luck with a Behringer CX-3400 crossover. My plans are to upgrade to the DCX 2496 when I am a little further along. I had been looking at how to get the same bass reinforcement as AB is trying to do, possibly using a different Altec woofer, ala 421 or similar. I am putting that on standby but I think two 416's would get a guy pretty well there in the bass dept.. Of course, some folks can never get enough bass.
    Good luck with your project, AB!

  9. #19
    Senior Hostboard Member Steve Mac's Avatar
    Join Date
    January 5th, 2006
    Posts
    726
    Follows
    0
    Following
    0
    Mentioned
    0 Post(s)
    Tagged
    0 Thread(s)
    Quoted
    18 Post(s)

    Re: "Crossover Design for New Project"

    Just a note....if you use one 416 for bass and one for mid bass/lower mid range...the efficiency gain is gone for the passive XO...right?

  10. #20
    Senior Hostboard Member Panomaniac's Avatar
    Join Date
    May 25th, 2006
    Posts
    1,811
    Follows
    0
    Following
    0
    Mentioned
    0 Post(s)
    Tagged
    0 Thread(s)
    Quoted
    0 Post(s)

    Re: "Crossover Design for New Project"

    Yes and no, depends on how you look at it. If you want more bass extension, the 1.5 setup will do that. If you wanted the same flat response out of 2 woofers running the full bass spectrum, you'd have to attenuate the upper range anyway. So there goes the sensitivity.

    The only way to keep the sensitivity up is to give up on the low end. That may be a reasonable trade off. All depends on what you want.

    Lunch is not free.....

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •  
This forum has been viewed: 21015457 times.