I've never seen it, Never knew there was such a thing as adjustable locating pins. It does make great sense to do it that way.
I've never seen it, Never knew there was such a thing as adjustable locating pins. It does make great sense to do it that way.
I don't know why they would be hesitant to sell them to you.It makes it much harder to align them without them.Agree with the last part probable don't want to charge you too much.Just ask for a dozen make it worthwhile.
And it is !!! When you don't have them in front of you it is easy to make a mistake..
I'm glad you guys zero'd in on the alignmentof the VC in the gap.
When I swapped the OEM frams out of my 904 duplex (symbiotic) to new GPA frams, the speaks just sounded bad. So I set up my spectrum analyzer with tracking gen and a mike and looked at the response. Huge suckouts. I put the original frams back in and they were gone. So just because this later model uses the od of the fram assembly to center, I tried loosenig the screws and guess what, suckouts gone! These speakers actually had a thin gasket between the fram and the hf driver body. Anyway, I ended up moving the fram around a bit and found the sweet spot and simply tightened the screws just enough to keep it that way.
It about drives you nuts listening to the thing sweep, but the results were worthwhile.
I am fortunate to have the test setup. a Tek 7L5 Sa withtracking Generator option. My mike is simply a Radio shack SLM with an output that feeds the SA. Not accurate for sure, but for this it worked perfectly.
Ron
Enjoying Altec Speakers since 1972
Hi Ronn,
This matches exactly my findings. For the small formats and 604's don't tighten the new GPAs!
Coen
[EDIT]
The first unit had the most problems with getting centered. As you may observe the other unit does not have the remnant H2 distortion arount 1KHz, but has a higher H3 distortion:
Right unit:
Left Unit (better):
Peaks and valleys are also due to the location of the microphone and reflections within the horn. I can see some move and disappear when I move the mic.
Last edited by Coendert2011; June 6th, 2012 at 03:23 PM.
Hi All,
Here are some fresh results!
I've done a FR STEPS measurement on both 'aligned' 288-8K drivers. Unit1 is the one that has been the mother of all previous 288 graphs.
Unit1:
Unit2:
Looks much better now, with some rising distortion after 3kHz (mass loading?!). No Gremlins in here anymore.
Though the units match quite good on FR, distortion is similar with odd peaks on unit1:
Unit1:
Unit2:
Not much goin on here. Unfortunately .
I dug a little deeper. See the next post:
Coen
Ok,
Here's some more.
I have another hunch that the harshness may have to do with the 12k peak. For this purpose I made seperate FFTs of a 12.5kHz sine and ones with both a 12.5kHz and a 2kHz tone.
Unit1 @12.5kHz:
The above gives rise to some elbrows. There is actually a new peak at 1/2 the fundamental, that is also echoed at the other side of the 12.5kHz. This one is not there in unit2, so is not related to the sound of -both- units. This must be some side effect of my imperfected centering capabilities.
Unit2:
In the dual tone test this doesn't show up, I think because both tones are much lower in amplitude individually.
Unit1:
Unit2:
No real surprises here I'd say. With a lot of midrange in the music I can get a little crowded around the 12.5Khz though...
Well, I'm still waiting for the new GPA diaphragms. In the meanwhile I will do an impedance measurement. I might be that the highish output impedance of my favourite tube amps doesn't match well with the impedance peak likely to be associated with the 12.5KHz peak (amps increase output with rising impedance). Favourable for LF response, yet with an allready firm 12kHz bump, it can be too much on the HF.
Thanks all for the support. The story continues...
Coen
Coen, the 12kHz bump is what you get with the 288's - that's normal. The bump goes away off-axis, so the power response is usually quite smooth. I think that the response of your realigned 288's is very acceptable. I suspect that GPA diaphragms won't bring anything much better.
288-8k on Lecleach 450Hz horn
LECLEACH.jpg
same with hf correction
LECCOR.jpg
at 30 deg off-axis
LEC30.jpg
Hi Vuki, maybe I was a little overconfident that the new diaphragms would cure the harshness and a little too fast in ordering for shure. Well they are paid for and on the road so let's wait and see for the final verdict.
Anyhow, even if these do not make the desired difference I really would like to proceed to get to the bottom of this and make them sing in my setup. Your off axis graph for instance makes a lot if sense to me.
I noticed the 12k bump in the other 288-k graphs before. Save for what the diaphragms may bring this is suspect nr 1 next on the list. Furthermore I'm interested in your opinion on the 288-8k, do you like them all theway up, or do you consider a seperate (super) tweeter like gm suggested?
Coen
I'm using them without supertweeter. They sound (to my ears) better than 902s on 511 or even tractrix. BTW those were GPA dias in the 288k's that were measured.
I suggest you to measure 902 on 511 with the crossover than the 288, keeping the exactly same measuring conditions (distance, mic placement, amp gain etc). Using ARTA's overlay function you'll probably find out more about sound difference between those drivers.
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