Today's designs, yes, but the originals were SET until they invented P-P and relegated the SET to pre-amp duty.
The amp's topology per se doesn't determine its output impedance, its coupling transformer does. You can wire one of today's SS amps to an outboard tranny and get a goodly portion of the tube era 'sound' [smiley face EQ]. Carver use to sell a SS amp that allowed a series resistor be switched into the circuit to do it and LCR filters are in common use to do it for both single driver speakers and called CD horn EQ for SS driven 'rising on axis' horns. The lure of tubes is the euphonic harmonic distortion it adds to a recording, etc., which some years ago was proven could be successfully mimic'd by inserting white noise into the recording loop to overcome the 'dry'/analytical sound of early digital recordings.
Personally and probably due to having basically life-long tinnitus, I only prefer SET amps coupled to 'FR' speakers, but to accurately reproduce sound requires a flat amplitude and phase response, so Class A is the primary goal, though due to our generally so-so hearing acuity, a small amount [< DF = 20] is acceptable.
All the SETs I've tried were reasonably priced because they came out of old radios, consoles, TVs, etc., back when consumers no longer wanted tubes. Today if I wanted a new one I guess I'd have to buy one of those Chinese kits sold on Alibaba that are so popular with the 'FR' speaker aficionados.
The only other tube amps I've used are Mac MC60 that sounded too 'dark' and Mac 300B MC375 that I swapped out to make my first SS bi-amped compression horn system and have never looked back, though hindsight being 20-20, wish I'd kept the MC375 after seeing what it and the retro one sells for nowadays.
GM
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Yes, though the main reason is its high DF gives it much better control over the driver and much more flexible tuning options, i.e. its T/S specs dominate.
It's desirable for the tube/horn to be passive and digital for SS, though of course it's fine if converting an existing speaker.
GM
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Hmm, we all hear the same, yet not so much, so imagine there's others with a similar mindset, but to me it's like claiming that aspiring to whatever technology designed after the mid 1940s is 'a waste of one 's time, money, efforts, and life' for the rest of us, which definitely doesn't work for me.
GM
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In your [not so humble] opinion. Again, we all hear the same, yet not so much, not to mention virtually all rooms 'color' a speaker's performance to a greater or lesser extent, making such 'absolute' statements about what we should be doing/using is just hearsay at best unless one can prove it more accurately reproduces the signal at least in theory.
GM
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