Also at the surplus store today I found some Sprague Clorinol PIO (with PCB) caps for my other set of speakers I have - very rare Design Acoustics D-12's. NINE 2.5" Peerless tweeters in these bad boys. I recapped them with 1% Dayton audio MPP when I got them 3.5 years ago, and always noticed that in certain frequencies, a select few tweeters would distort - mostly in high piano notes, vibes, things like that. I had just assumed it was voice coil rub from 40 years of the same position on these tweeter magnets. Fast forward to this week - as I'm reading about how capacitors can give a "glaring" sound, I started to wonder if it was the caps I used...
I installed those PIO caps tonight - one speaker at a time so I could A/B between the Dayton and Sprague - and WOW. I was floored. The difference is night and day. The Dayton's don't hold a candle to the clarity and the strength of sound of the Spragues. I wasn't expecting this much of a difference, but it was huge. The sound was so much less grainular too. Passages of high complexity - from Beethoven Piano Sonatas to Modern Jazz Quartet - were effortlessly conveyed with the PIO. The highs were a muddled mess with the Daytons. It was something that hadn't really bothered me before, but I could hear it now. AND, there was no distortion with the Spragues in places I had gotten it before.
I will say that I've got pretty good ears. I'm a professional orchestral musician and my job is literally all about dissecting the small, minute, differences in sound. This isn't to say I'm not biased like anybody else, because I'm sure I am in some way, but to my ears, there was quite a noticeable different with these caps on these speakers. It's nice to finally know what everyone is talking about with these PIO caps, and with only one point of reference so far, I have to agree!
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