Out of respect for the original poster in this thread:
http://www.hostboard.com/cgi-bin/ult.../f/3729/t/2341
I decided not to hijack any further and continue the great conversation and flow of advice on to a dedicated thread. This may also provide help for anyone else looking to tackle a complete rebuild of 9844 and/or 9846 type monitors. I'll provide links to pics once I really tear in to it.
The 811 horn definately sounds like a tuning fork (cow bell- love that description) at higher volume levels and I wonder if mounting them on TOP (outside) of the new cabinets (like VOTT) would help. It might (at the very least) isolate it from the mechanical distortion caused by the vicious action of the 2X12's. I thought about using a self adhesive sound dampening material to help as well. Opinions??
There's no question about the quality of sound at nominal levels. That's the best damned 1" compression driver/horn combo I've ever heard. Hours of listening without ear fatigue. Who would have known? So..tell me again why the recording industry moved to an all cone standard!?
Also. What do you guys think about adding an isolation wall in the main cabinet to create independent chambers for the 12's? They act like a quasi passive radiator and it might tighten up the low end a bit. It could also destroy the overall low end extension and I certainly don't want to screw THAT up!
As far as biamping- I'm curious. After shelling out the bucks for boutique paper oil caps I wondered what the **** I was doing! It's not too late as I still have the other pair of 9844's waiting in the wings. Factory has them crossed over at 800Hz. I have some decent amps that would be more than up to the task but I don't know how to protect my drivers. I'm new to this sort of thing and I always hear the horror stories about how some guy blows his beautiful speakers up when he uses active crossovers.
