For those of you who have read it, take heart because Dean is writing more about Odd.
For those of you who haven't, do.
This post brought to you courtesy of JDF's sig
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For those of you who have read it, take heart because Dean is writing more about Odd.
For those of you who haven't, do.
This post brought to you courtesy of JDF's sig
gae...is he doing a "sequal" to it?
<font size="2" face="Verdana, Helvetica, sans-serif">that was the one thing that stood out for me in this book, was the humour that Koontz finally starte dusing. I actually read excerpts, including my sig, out loud to Ken becuse he kept asking what was so funny.Quote:
Editorial Reviews
From Publishers Weekly
Once in a very great while, an author does everything right-as Koontz has in this marvelous novel. Odd Thomas, who narrates, is odd indeed: only 20, he works contentedly as a fry cook in a small fictional California town, despite a talent for writing. The reason for his lack of ambition? A much rarer talent: Odd sees and converses with ghosts, the lingering dead who have yet to pass on, a secret he has kept from nearly everyone but his girlfriend, an eccentric author friend and the local police chief, whom he occasionally helps solve terrible crimes. Odd also has the ability to see bodachs, malevolent spirits that feast on pain and whose presence signifies a likelihood of imminent violence. The proximity of bodachs to a weird-looking stranger in town, whom Odd dubs "Fungus Man," alerts Odd that trouble is brewing; breaking into Fungus Man's house, Odd discovers not only hundreds of bodachs but a shrine to serial killers that helps him deduce that somehow Fungus Man will wreak widespread havoc very soon-so Odd is caught in a classic race against time to deter catastrophe. As with Koontz's best novels, this one features electrifying tension and suspense, plus a few walloping surprises. But Koontz fans know that the author has recently added humor to his arsenal of effects, and this thriller also stands out for its brilliant tightrope walk between the amusing and the macabre; one of the dead with whom Odd interacts frequently, for instance, is Elvis, still pining for his long-dead mother, Gladys. Above all, the story, like most great stories, runs on character-and here Koontz has created a hero whose honest, humble voice will resonate with many. In some recent books, Koontz has tended to overwrite, but not here: the narrative is as simple and clear as a newborn's gaze. This is Koontz working at his pinnacle, providing terrific entertainment that deals seriously with some of the deepest themes of human existence: the nature of evil, the grip of fate and the power of love.
Copyright 2003 Reed Business Information, Inc.
Maybe not a sequal. Just more Odd Thomas.
Since I hear dead people, I'm quite in awe of those who can see them.