NASHVILLE, Tenn. -- Porter Wagoner, the rhinestone-clad Grand Ole Opry star who helped launch the career of Dolly Parton by hiring her as his duet partner, died Sunday. He was 80.
Wagoner, who had survived an abdominal aneurysm in 2006, was hospitalized again this month and his publicist disclosed he had lung cancer. He died at 8:25 p.m. CDT in a Nashville hospice, a spokeswoman for the Grand Ole Opry said.
The Missouri-born Wagoner signed with RCA Records in 1955 and joined the Opry in 1957. "It's the greatest place in the world to have a career in country music," he said in 1997.
His showmanship, rhinestone suits and pompadoured hair made him famous, with his own syndicated TV show, "The Porter Wagoner Show," for 21 years beginning in 1960. It was one of the first syndicated shows to come out of Nashville, and it set a pattern for many others.
"Some shows are mechanical, but ours was not polished and slick," he said in 1982.
Among his hits, many of which he wrote or co-wrote, were "Carroll County Accident," "A Satisfied Mind," "Company's Comin'," "Skid Row Joe," "Misery Loves Company" and "Green Green Grass of Home."
Wagoner was born in West Plains, Mo., and became known as "The Thin Man From West Plains" because of his lanky frame. He recalled that he spent hours as a child pretending to be an Opry performer, using a tree stump as a stage.
He started in radio, then became a regular on the "Ozark Jubilee," one of the first televised national country music shows. On the Opry since 1957, he joined Roy Acuff and other onetime idols.
At one point his wardrobe included more than 60 handmade rhinestone suits.
"Rhinestone suits are just beautiful under the lights," he said. "They've become a big part of my career. I get more compliments on my outfits than any other entertainer ? except for Liberace."
While he continued with the Opry, and even had a small part in the 1982 movie "Honky Tonk Man" starring Clint Eastwood, his recording career dried up in the 1980s.
"I stopped making records because I didn't like the way they were wanting me to record," he said. "When RCA dropped me from the label, I didn't really care about making records for another label because I didn't have any say in what they would release and how they would make the records and so forth."
After his New York show in 2007, tears came to his eyes as he recalled the reaction.
"The young people I met backstage, some of them were 20 years old. They wanted to get my autograph and tell me they really liked me. If only they knew how that made me feel, like a new breath of fresh air. To have new fans now is a tremendous thing."
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